There are no user-serviceable parts inside. Always works in a rock setting. The Shure KSM9 is a well-known professional audio microphone, and the Neumann KMS 105 is a popular choice for home recording enthusiasts. This item: Shure RPW174 KSM8 Dualdyne Wireless Capsule for Shure Transmitters. Live sound engineers often use signal processing, like equalization, to mitigate both the proximity effect of traditional microphones or to compensate for improper microphone technique (such as when a performer covers the grille with their hand). At this point I expect youre desperate to know how the dual-diaphragm configuration works, but rather than get bogged down in the technicalities here, Ive put it all in a side-box for later reference. All in all, the KSM9 offers a very happy medium. 5 stars: 28 %: 4 stars: Its most sensitive on-axis (at 0 degrees), but also picks up sound around 65 degrees either side of the mic. I prefer the KSM9 over the Beta87C. It offers a natural, open sound, with a very balanced low-end, beautifully smooth midrange and brilliant highs. Every single component is new this is no evolution from previous Unidyne capsules: it came quite literally from a clean sheet of paper and a lot of innovative thinking! So, are there any downsides? A crossover at 500Hz combines the two capsule outputs to produce the final signal, much like a two-way speaker working in reverse! i recently bought neumann kms105 shure ksm8 and shure ksm 9 hs.. i am very satisfied from all as a better sound choice i choose neumann kms105 but for very very hard and dificult situations i mean bad places bad speaker place very easy to get feedback from mics i choose the ksm 9 hs on hypercardioid When you have other instruments in close proximity and you just want the sound of the voice, its best to sing or speak directly into the mic. When unwanted off-axis sources leak into vocal microphones, it can degrade phase coherency and compromise source quality. A cardioid polar pattern picks up sound in a heart shape around the front of the microphone. Shure KSM8 vs Shure KSM9. It offers a natural, open sound, with a very balanced low-end, beautifully smoothmidrange and brillianthighs. http://cdn.shure.com/publication/upload/340/pdf_ea_dual_diaphragm_mics.pdf, Win! In simple terms, the direct result of that frequency-dependent behaviour is an almost complete removal of the mics proximity effect, as well as a better-controlled polar pattern, giving improved off-axis rejection and reduced off-axis coloration, too. Theyll deliver a higher quality sound than dynamic mics. It might be just what you need to take your sound to the next level. To prevent dust and moisture ingress, they decided to cover the back of this labyrinth with a second (passive) diaphragm which would still allow sound waves from the rear to pass into the capsules internal labyrinth. The overall off-axis response is very smooth, and although the pick-up pattern is at the broader end of cardioid, theres pretty good rear rejection, particularly noticeable in the midrange frequencies. The switch is under the grille. Shure Tech Portal open_in_new. A dual-diaphragm design helps to reduce the proximity effect, and evens out the frequency response throughout the vocal range. SM86 is Shure's best compromise. Condensers offer a brighter, more detailed sound, which is more faithful to the human voice. On the other hand, condenser mics are less sonically limited than dynamics, and can deliver a lot of detail and clarity. #3. In addition to diminishing unwanted movement, the moving piston and internal cavities have been precisely engineered to stabilize the diaphragm amidst mechanical vibration. KSM8/N: Superior dual-diaphragm dynamic microphone with a brushed-nickel finish. MusicRadar is part of Future plc, an international media group and leading digital publisher. Shure KSM9 is a professional on-stage condenser mic. Thank you for your request. Given all the limitations of live performance, this mic really is impressively close to the natural sound of the human voice. He enjoys writing middle grade and YA fiction, doing traditional art, and keeping up with the latest anime series. The Shure KSM9 is a high-quality condenser microphone that is designed for live performances. The amount of rear rejection degrades slightly around 6-8 kHz, but not enough to cause any significant issues. The best way I can describe the sound of the KSM9 is that it provides an authentic reproduction of the sound source. Well, at 429, this mic doesnt come cheap. Smooth high frequency response without a pronounced presence peak, Advanced internal pneumatic shock mount and the Diaphragm Stabilization System (DSS patent pending) work together to prevent handling noise, True cardioid pattern prevents feedback and provides consistent off-axis response, Hardened, dent resistant grille lined with hydrophobic woven fabric that rejects moisture as well as plosives for years of high quality use, Microphone techniques for live sound reinforcement. If the grille becomes damaged or deformed, please contact Shure's Service Department for a replacement. This is a small, low voltage current sent to the microphone from a microphone preamp, mixing desk, or audio interface. Shure KSM9 is a professional on-stage condenser mic. Theyre both handheld condenser mics optimised for live performance. Free Shipping. Neumann are known for producing premium quality microphones, and so its no surprise that the KMS105 gives the Shure KSM9 a run for its money. KSM9 is also amazingly crispy and I find it quite amusing. Its an effect used by radio presenters to give them very deep voices. He said the idea for the KSM8 came out of what Shure had learnt while building the KSM9 handheld condenser: "We knew from the KSM9 that if we could get a second diaphragm into the cartridge, we could use it as part of the acoustic network to control proximity effect. SHOCKSTOPPER is a trademark of Shure Incorporated in the United States. A max SPL of 152db is also a little lower than the SM58, but not drastically different to some of the other pro-level dynamic microphones (e.g. The Shure KSM9 is a condenser microphone, so it does require phantom power. This protects the diaphragm and capsule from harm, and reduces handling noise and stage vibrations. In fact, for close sources, as the signal frequency reduces, the dual-diaphragm capsule behaves less and less like a directional pressure-gradient device, and more and more like an omnidirectional pressure-operated device. At the low end, a small amount of proximity effect is apparent if the source is closer than about 25mm (one inch), but between 25-75mm (one to three inches) the response is well balanced and very consistent. Win a TB-03 and TR-06 from Roland. Learn More. A premium condenser vocal microphone, the KSM9 captures vocal subtlety with extraordinary detail for live performance. And although the smooth midrange suited the guitar cab, on snare drum we really missed the boost in brightness that an SM57 brings. Reviewed by: Paul NarangReview date: October 2022Current price: Around $500. https://www.youtube.com/playlist?list=PLlczpwSXEOyatBLoJPWeG2U8OUFx9AFC0 Shop Shure KSM8 Dualdyne Cardioid Dynamic Vocal Microphone at Sweetwater https://imp.i114863.net/WDLGBnShop Shure KSM9 Dual-Pattern Condenser Handheld Vocal Microphone at Sweetwater https://imp.i114863.net/0J3d0LIf youre wondering what video gear we use, check it out https://imp.i114863.net/n1z2DaSweetwaters Mitch Gallagher joins soulful singer Marcus Scott for a side-by-side shootout of Shures KSM8 dynamic mic and KSM9 condenser mic. It is also equipped with a three-position bass roll-off switch that optimizes the microphones response for different applications. The idea is that sounds from the rear take the same amount of time to reach the rear of the diaphragm through the labyrinth as they do to pass around the outside of the microphone and impact on the front of the diaphragm. The Shure KSM9 is a great choice as a live mic. Bauers clever Uniphase design omitted the rear diaphragm, but led directly to the iconic Unidyne Model 55 microphone, released in 1939: the worlds first single-capsule cardioid dynamic mic. This is, of course, complete nonsense: new developments are still appearing quite regularly, bringing substantial improvements in quality and accuracy, reliability or manufacturing costs. Shure KSM9 Cardioid and Supercardioid Condenser Mic. Condensers offer a higher output level than dynamic mics, but theyre a lot more sensitive to loud noises, handling noise, and tend to break more easily. But there are some differences. In my opinion, if budget allows, stretch to a KSM9. Consider helping Sound Forums keep the lights on. A strong presence peak centered around 4 to 5 kHz is used to counteract the increased bass. Brand New. Exclusive deals, delivered straight to your inbox. A built in high pass filter on the KMS105 ensures the mic doesnt suffer too much from the proximity effect, although Id say the KSM9 is slightly better at feedback rejection. One big difference is that the Neumann doesnt have a switchable polar pattern its a fixed supercardioid. And of these, the SM57 and SM58 are industry-standard around the world. Elegantly crafted products that are simple, useful, and desirable. If you experiment you may find you prefer the sound of one over the other, though the differences are quite small. Thats a tough one. This means an even, predictable low-end as the distance from the mic changes. Controlling proximity effect in moving-coil mics is not a new idea, and different manufacturers have developed a variety of strategies over the years. Enter the Shure KSM9 a condenser mic for the live stage. Taking its inspiration from Shure's classic Unidyne III capsule (that's the one used in the SM57, SM58 and others), this newly developed capsule aims to reduce the proximity effect, improve off-axis frequency response and rejection, and deliver . Braunmhl-Webers innovative capsule design was patented in 1936, and introduced commercially as the famous M7 capsule employed in all of Neumanns early microphones. There were four models in AKGs dual-capsule range, starting with the D200. Theyre reliable, and lots of them sound great. My contacts at Shure were reticent to consider creating a competing product for the venerable SM58 and the newer Beta 58A. The KMS 105 also has a very high audio quality, making it perfect for professional recordings. Are some types more durable than other similar in the live performance category? The mechanical design of the KSM8 offers advancements that benefit the performance and aesthetics of the microphone. They both have their own advantages and disadvantages, so its important to choose the right one for your needs. This mic has a number of features that make the overall experience even more enhancing First of all, is a state of art suspension system for the capsule, which results in reduced handling noise. The on-axis pickup pattern is well focused, and although moving substantially off axis results in a dramatic reduction of level, the tonality remains remarkably consistent. A premium-range handheld condenser vocal mic with a clear and authentic sound. https://www.youtube.com/playlist?list=PLlczpwSXEOyatBLoJPWeG2U8OUFx9AFC0, https://www.sweetwater.com/store/detail/KSM8Nshure-ksm8-dualdyne-nickel/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.sweetwater.com/store/detail/KSM9CGshure-ksm9-handheld-condenser-microphone-charcoal-gray/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.sweetwater.com/shop/general-gear-used-to-make-sweetwater-videos/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o, https://www.Sweetwater.com/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o. Unlike with other mics, both patterns of KSM9 work flawlessly. Engineering products to address all technical and business criteria and solve the most difficult design problems through integrated mechanical, electrical, software and firmware solutions. 27 Wormwood St the Telefunken M80). Its worth noting that the E965 is a bit cheaper than the KSM9. The Neumann KMS 105 is a great microphone for those who are looking for a high-quality sound. Notice the more even high-end response on the KSM8 and lower sensitivity to bass frequencies. It is made from high-quality components, which ensures that it delivers excellent sound quality. But theres one major difference between these two mics. The capsule assembly process apparently involves ultrasonic and internal laser welding to help ensure excellent mechanical reliability, and the practical realisation of the Dualdyne capsule took Shures engineers seven years of development and optimisation. Both mics share some internal design features too: they both have the dual diaphragm design, which delivers a nice smooth frequency response. Its not something I could actually hear. With these scenarios aside, many vocalists will find that the KSM9 inspires confidence on stage. Thank you for your request. I work for a medium sized provider in the UK, we have 16 channels of UHF-R (a mix of UR4D and UR4D+). Click to reveal In the low range, we see a very gentle roll-off from 500Hz and below, with a sharper curve below 100Hz. For more aggressive styles like metal, technically youll still get a betterquality vocal, but among those loud and heavy guitar riff sounds you may probably not be able to notice the difference. The downside is that the KSM9 seems to pick up everything on stage.. but it doesn't color them, so doing some additive mixing, using the mic bleed as the foundation, works fairly well. Popular comparisons. In Asia, call 852-2893-4290. Good Luck! Shure Product Manager, John Born, was one of the small development team that worked on the KSM8 project. The low frequency behaviour is considerably more forgiving, providing a much bigger sweet spot. The last mic in our guide is the absolute gold-standard option when it comes to world-class live vocal capture - the KSM9. Many singers love its ribbon-like feel, and although it may turn out beneficial for screaming or growling with a metal band, in your case, for a clean vocal you may need a brighter mic, so that it can cut through a dense mix more easily, such as KSM9, which also offers supercardioid mode for improved rejection, as long as you fix it on a stand and dont move around much. The KSM9 also switches between cardioid and supercardioid polar patterns, so it can easily adapt to different live environments and singing styles. However, the output impedance is slightly higher than usual, at 300, and although this will technically mean a slightly higher noise floor than a mic with, say, a 150 output impedance, given the KSM8s intended application I think such concerns are completely irrelevant. This extended high range will give your vocals that extra sparkle and clarity, and a more open authentic sound. They are just in completely different leagues. We develop services as multi-channel brand experiences that empower people in meaningful ways and deliver value for both the user and company. KSM9 picks up too much stage wash. AE5400, KSM9, VX10, and PR22 do as well. Q. Not much help for the marginal types, though. The chart is fairly even, with no big peaks or troughs apart from a little dip around 7kHz. mic. MA 02210. KSM8/B: Superior dual-diaphragm dynamic microphone with a black finish. Beginning with a simple and sturdy design (and in a handsome matte black), the KSM8 Dualdyne is the world's first dual diaphragm dynamic vocal microphone, a design that eliminates the emcee mic-cupping . As a condenser designed for gigging and live use, the KSM9 is perfect for anyone looking to bring a high quality studio sound to the stage. But with solid construction, the mic feels nice and sturdy to hold, without feeling overly large. Shure has taken dynamic microphone technology and performance to a groundbreaking new level with the development of the premium KSM8 Dualdyne. As low as $62/mo. Obviously, handheld dynamic mics are nothing new, and neither are microphones with dual diaphragms: every switchable-pattern capacitor mic has used that particular technology since the mid-1930s! #Sweetwater #Shure This microphonecan give a colossal improvement to your vocal and it actually deserves every dollar spent. Both mics respond exceptionally well to lead vocals, with each having its subtle nuances and flavorings that are sure to deliver the goods in many different applications hear it for yourself! Shure can be proud of their achievements in creating the Dualdyne capsule, and of advancing microphone technology in such a practically valuable way. The KSM8 provides greater immunity to these problems, due to linear polar response across the entire frequency spectrum. . The KSM9 uses an XLR cable to connect directly to the audio interface or mixer. Performance & security by Cloudflare. Shures KSM8 introduces the Braunmhl-Weber dual-diaphragm concept into a moving-coil capsule for the first time, with substantial practical and sonic advantages for the live-sound market. Rig Tour: Post Malone's FOH Engineer, Burton Ishmael, Happy 303 Day! These are the vibrations in the sub bass range that youll feel more than hear. And lets hope youre not positioned next to the drum kit! 71 user ratings. Therefore, if you can afford this mic, go ahead and start digging that difference. Moving significantly beyond that range causes the bass level to fall off gently, and by 600mm (two feet) there is an obvious but still gentle attenuation of frequencies below about 100Hz. The KSM8 is not necessarily an upgrade. Happy customers, one piece of gear at a time! The KSM8 retails for a couple of hundred dollars cheaper than its condenser counterpart, and is aimed at a slightly different consumer bracket. You are using an out of date browser. In terms of frequency response, the sound ofKSM9 is very well tailored, and it doessound much better than a typical flat-response condenser. It has a sumptuous rich low end that isnt overpowering, smooth mids, and sparkling fizzy high notes. Pressure-operated capsules have no proximity effect at all, of course, and consequently the dual-diaphragm capsule has a greatly reduced proximity effect for very close low-frequency sound sources. Beta 87A on UHF-R Wireless. This mic has a very flat and even range through the mids, before gently climbing through the high range from about 3kHz. You may login with either your assigned username or your e-mail address. Microphone sound absorption and reflection. Forums for Audio Professionals, Run by Audio Professionals. Their design used a complex arrangement of perforations drilled into separate brass plates which, when sandwiched together to form the microphone backplate, created an acoustic labyrinth behind the front diaphragm. The KSM9 is a two-channel microphone, meaning that it has two diaphragms, which are each made up of a membrane and a coil. Heads Up SoSer's - When SSDs Fail, They Fail Catastrophically! It also helps to minimise high-frequency handling noise. Go for the shorter lengths where possible. Giving just enough brightness to put you in line or slightly ahead of the instruments, I find it working . Where the magic happens! I've heard from several FOH pals that the KSM9 and KMS104/105 are sonically very much in the same ballpark. In the meantime, I want to focus first on the development of Shures remarkable new microphone. A very similar mic to the KSM9. I work with a female vocalist who is looking to upgrade her microphone. Where the magic happens! One distinctive advantage of Shure KSM9 is that it is quite less sensitive than Neumann KMS 105. When you purchase through links on our site, we may earn an affiliate commission. . The Neumann KMS105 is another live handheld condenser mic. This revolutionary technology provides the following benefits: The KSM8 delivers exceptional results and withstands the rigors of daily use in the most demanding live sound environments.

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